Friday, 15 January 2016

Yellow Wolf Intertribal Powwow

Keisha Jones dances at the 27th annual Yellow Wolf Intertribal Powwow Visitors to the event can watch traditional dance competitions and enjoy music, food and vendor booths. - Black Press file photo
Keisha Jones dances at the 27th annual Yellow Wolf Intertribal Powwow Visitors to the event can watch traditional dance competitions and enjoy music, food and vendor booths.
— Image Credit: Black Press File Photo
One of Vancouver Island’s most colourful and authentic cultural 

Yellow Wolf Intertribal Powwow

celebrations is on July 31 to Aug 2 in Brentwood Bay. The 22nd Annual Yellow Wolf Intertribal Powwow includes music, dance and everyone’s favourite traditional food.
“We would like the public to know that they are welcome to attend this cultural event and that it is free and a drug and alcohol free event,” says Angel Sampson, one of the organizers. “It’s a fun event for the whole family.”
This free, three-day event begins Friday evening with the Grand Entry at 7pm and ends on Sunday night at 6pm.
Set against the natural backdrop of the Tsartlip First Nations land, watch male dancers play to the audience in colourful feathered and beaded regalia and female dancers spin with flying fringe to the resonating beat of drums and ancient songs.
“There will be cultural foods like salmon barbecue, Indian tacos, Indian hotdogs, and some western fare like burgers, hotdogs, chips, hot and cold drinks,” says Sampson.
There will also be an array of First Nation art and crafts for sale. The Saturday evening dinner break from 5 to 7pm will include a variety of entertainment.
Grand entry times are Friday, July 31 at 7pm, Saturday, Aug. 1 at 1pm and 7pm, Sunday Aug. 2 at 1pm.
The event is held at 800 Stelly’s X Road in the soccer field. Hosted by the Tsartlip First Nations, the Coast Salish people of the Saanich Nation. The event is wheelchair accessible.

Living the SWEET life

Living the SWEET life

The members of Sweet Leaf enjoy some relaxation on the beach before kicking off a week long party at the Victoria Ska and Reggae Festival. - Kristen Cook photo
The members of Sweet Leaf enjoy some relaxation on the beach before kicking off a week long party at the Victoria Ska and Reggae Festival.
— Image Credit: Kristen Cook Photo
The members of Sweet Leaf have been jamming together for a while, but they only recently recorded their first album Stress Leave earlier this year.
“We rented some office space in Esquimalt and sound proofed it then just party and record, party and record, lather and repeat, you know?” says Chris Jones, guitar and vocalist.
Victoria-based Sweet Leaf includes Zak Knippel on bass, Mike Luis on drums, Spencer Lee on trombone, Jason Ramalho on sax, Nick Brandle on percussion and backing vocals, Tyson Crabb on trumpet and Nick Taylor on backup vocals.
“We could have another if the keyboard player ever showed up,” deadpans Jones.
Knippel and Ramalho started the band some four years ago and Jones joined after answering an online ad.
They’ve lasted through five drummers and Taylor was added after the album was recorded to help fill out their sound, says Jones.
Band members’ musical interests vary from metal to punk and reggae and some of the guys are “not into ska” at all, but they play like they love it.
“Victoria has a good scene. People come out and skank it up at a ska show,” says Jones.
The Sweet Leaf sound is not straight up ska, he adds. “We cross a bunch of different barriers. We’re not just ska or ska influenced. We rock, reggae, we play funk too. We play some pretty funky riffs and genres will change in the middle of a song. There’s hip hop influence in some beats, jazz.”
This is the third year in a row Sweet Leaf will hit the stage at the Ska and Reggae Festival which runs July 1 to 5 at a variety of locations.
“It’s super fun. And we get to play with some of our favourite ska bands – that’s kinda why we do it. You don’t make a lot of money as a band but the payoff is meeting these super talented and influential artists.”
Sweet Leaf plays at Sugar Nightclub July 1. See the full Ska and Reggae Festival lineup at victoriaskafest.ca

THE BIG PERSONALITY: James Gardner

ARTS & EVENTS

THE BIG PERSONALITY: James Gardner

CFAX radio announcer James Gardner and his dog Dixie who accompanies him to work every day. - Don Denton photo
CFAX radio announcer James Gardner and his dog Dixie who accompanies him to work every day.
— Image Credit: Don Denton Photo
“When I came to grips with who I was and I came out as a transgendered person, everything just fell into place.  … As much as there’s this fight, fight, fight, there’s the other side of it, things are becoming easier as well.” - James Gardner
Because he can now be true to himself, all things are more authentic, says James Gardner.
“I always felt like I had a … filter so that anybody who got to know me, wasn’t getting to know me. And it wasn’t that I was consciously hiding anything but now I’m open, I’m genuine.”
Unlike many people who have gender dysphoria, it took Gardner 50 years to come to the realization that he was in the wrong body.
Born Sheila Gardner, in Edmonton in 1958, Gardner began her radio career at age 20. Moving from Alberta to Vancouver in 1987 and to CFAX radio in Victoria in 2010.
“Most people do know when they’re younger that they’re transgender, but I didn’t. I just felt different, but I didn’t know what it was,” says the popular news announcer.
It wasn’t until he was in his 50s that the realization dawned on him. “It was that feeling. I don’t know if I cried, it was a happy feeling. Oh. My. God. All of a sudden it just, it was like a bolt of lightning: This is who you are.
“I didn’t know my name yet, I didn’t know who I was yet, but I just knew there was this part of me and I just embraced it.”
He immediately acted on the realization, getting a referral to psychiatrist Gail Knudson, BC Medical Services Plan’s surgical assessor for gender-affirming surgeries.
He began hormone treatment and the process of explaining to family, friends and coworkers what was happening.
“Men transitioning to female, it’s more noticeable because the clothing’s different. As a female I didn’t wear dresses, but I wore a blouse and dress pants so I didn’t have to change that much. I always had short hair (taking) testosterone, you can actually lose your hair. Both my brothers are bald – I always liked my hair,” he says reaching up to touch his thinning, closely cropped scalp.
He knew his voice would drop quickly with hormone treatment and as a radio personality, made sure he told his employer about the transformation.
“It was definitely a milestone. … They were very respectful. It felt like I was Sheila one day and James the next – I didn’t really have to change the way I dressed too much except I put one of these on for the first time,” he says, tugging at the knot in his tie. “It was a milestone but I already felt like James.”
A year later he started thinking about surgery. He began with a hysterectomy and just a few months later, traveled to Florida for top surgery, which included a double mastectomy. “I got tired of waiting,” he says with a sigh. At the time there was a two year wait list to get the surgery in BC.
Living as a transgender man gives him freedom and happiness he never felt before. “It’s just a whole lightness. There was a heaviness before and I guess that’s what allows me to do the advocacy. I don’t know if I could have done it before when I felt really crappy, and I didn’t know why I felt crappy. I just always had this heaviness, something wasn’t right. Then it was like all the pieces of the puzzle come together. They’re all scattered on the table through your life, then all of a sudden they start to fit and that’s got to feel good. Everything just kind of snaps into place.”
Making the decision to transition, begin hormones and have the chest surgery helped him feel more aligned with himself, he says. The next step, phalloplasty, surgical construction of a penis, has been more difficult.
“I started hearing for bottom surgery for guys (the wait) was anywhere up to 10 years,” he says, stress creeping into his voice.
The province didn’t begin funding gender confirming surgery until 2012 and then, restricted it to five per year.
“I have my ear on the pipeline,” says Gardner, growing more animated. “I knew no guys were going. No guys were being phoned up. I know most of the guys on the waiting list – that’s when the government said, ‘nobody came forward.’”
Two years after the BC Ministry of Health lifted a ban on “gender alignment” surgery to transform females to males, not one surgery had been funded by the Medical Services Plan.
“Now I’m stuck again. I’m stuck not finishing with my physical transition,” he says.
Although the cap on the number of surgeries the province will fund was recently removed and jurisdiction over the surgery has moved to the Provincial Health Service, Gardner says there are still close to 90 people waiting for a date with the one Canadian, Montreal-based Dr. Pierre Brassard, qualified to do the surgery.
Gardner recently received a letter referring him to Bressard and in May he travelled to Montreal for his first consultation. He was able to afford the flights and accommodations, but learned the surgery is done in four stages, which means four more trips across the country and expensive after-care – none of which is paid for by the province. He estimates his personal cost will be $10,000 and he’s pushing to have the government cover those costs for BC residents requiring the surgery.
Gardner recently received an email from the BC Ministry of Health confirming a steering committee has been established to address urgent concerns, including reducing wait times for assessments and increasing options for access to (bottom) surgeries and coverage of after-care costs in Montreal.
“I think the fire’s been lit, I don’t know if there’s anything more we can do,” says Gardner. “People just need to know we’re fighting our own fight physically with our own bodies. We’re trying to get our own bodies to a point where we’re happy with ourselves. It’s very hard for us to step outside of that and have to deal with the larger picture.”
A recent study by researchers at Western University in London, Ont. found one in 167 Canadians try to kill themselves, but for transgender people the rate is an astounding one in nine. “I’ve struggled with depression because I can’t get my surgeries. I’ve thought about suicide. I think about it. Sometimes I get to the point where I just want to give up.
“What keeps me going? Talking about it. Talking about the injustice,” he says, pushing his shoulders back. “The spark of advocacy is there now, which I never had before. Something that I’m very passionate about is getting this right. Getting this right so that (younger) people … don’t have to deal with all of this crap. That’s what keeps me going.”
He feels that completing a medical transition through surgery will alleviate the depression.
“I have a lot of hope. I think it’s just going to take a year or so to get the machine moving. I think within about a year – maybe two – it’ll be where it needs to be. It’s just, you know … waiting.”

Beauty and the brew

FOOD

Beauty and the brew

Graphic artist Bjauna Sorensen in her Vancouver studio. - photo contributed
Graphic artist Bjauna Sorensen in her Vancouver studio.
— Image Credit: Photo Contributed
They say, ‘you can’t judge a book by its cover’ but can you judge a beer by its label?
Chris Long, producer of Victoria Beer Week, says the label says a lot about what’s inside.
“Many brewers have a connection with local designers who supply their visual identity, it’s what make them unique. Shawn O’Keefe has an amazing relationship with Phillips – he supplies them with their identity.”
Long’s was the mind behind Beer Week’s art show. “I did it in hand with Eric Van Kobra of Wolf/Sheep Arthouse – it’s a downtown gallery, they do a lot of great work and work with some cool graphic designers in town.”
The show included the work of local graphic artist (Chris) Crow Campbell.
“This was my second year doing it. I’ve never (designed a beer label) for money, this is a new venture. I haven’t done it for real before, but maybe one day,” says Campbell.
By day, Campbell works for Baggins as a designer.
“As a graphic artist, you prick your ears to that kind of stuff. It’s cool to see what’s going on, what people are doing, what different way they’re using to market a particular brand of beer. Sometimes when you’re in the store, you don’t know if anything about the wine or beer will appeal to you, you just choose based on the label.”
Campbell does have his favourites as far as labels go. “Phillips always does a really good job. Shawn O’Keefe’s been their primary designer for quite some time, he does some greatly illustrated labels with nice bold colours that grab your attention.”
He also pointed to Hoyne and Driftwood’s art work. “Driftwood just did a redesign, it caught me by surprise when I saw it. It’s great that the local micro breweries play with the labels to make them really interesting. It’s the way they set themselves apart. It’s nice to see a flashy label rather than the same old dull thing.”
Another recent standout redesign is Moon Under Water.
“Moon Under Water just struck up a relationship with a new creative (Bjauna Sorensen) she’s a great artist,” says Long. “It’s nice to see them taking it to the extra level. It’s one of the things that makes the local craft brewing community super cool.”
Sorensen is a Vancouver-based graphic artist who designed Moon’s Light Side of the Moon, Creepy Uncle Dunkel and its recently launched Hip As Funk Farmhouse IPA.
“Hip as Funk has a strong woman on the front,” says Sorensen. “They wanted to create equality within the beer industry so it’s not sexualized as much. You don’t see (the sexualization of women) on the beer labels, but in the supporting material, it’s all good looking people partying. This has a strong woman at the core, not just in a supporting role.”
Sorensen says the redesign was a fun project.
“Lots of the branding and packaging you do as a designer is more corporate, in the food and beverage industry a lot of clients let you stretch your creative muscles,” she says. “It’s super fun work to do beer labels, not a lot of projects compare. … New craft brewers have got to make a statement that contrasts to other craft brewers out there and crazy artistry is a great way to stand out. It’s a way to speak to the demographic that they relate to.”
And what’s under the label is reflected as well, she says. “You want the taste of the product to come through the label itself. (Drinking the beer you’re designing for) is not a terrible thing to have to do.”

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Legend behind the bar

FOOD

Legend behind the bar

Big Bad John’s veteran bartender Gerry Laing. - Arnold Lim photo
Big Bad John’s veteran bartender Gerry Laing.
— Image Credit: Arnold Lim Photo
There are a few benefits to being the longest-running bartender in the city.
- You get to witness chance encounters and long-held traditions: new friends meeting from around the world, or a 45th annual commemoration of your high school’s provincial basketball victory when a group of 62-year-old dudes join you for a beer;
- You get to go out of the house and socialize four nights a week and return home at any hour you so please while your wife pays no mind;
- “You might get waived to the front of the Burger King lineup,” says Gerry Laing, who, for 45 years, has been clad in overalls at his post behind the Big Bad John’s bar. Just how do those benefits leave the vet of the service industry feeling?
“Feels like you get your cheeseburger sooner than everyone else,” Laing says plainly.
His journey at the Strathcona Hotel actually started several years prior to his debut at BBJ’s – which has been Victoria’s hillbilly bar of choice since its inception in 1962 while the World’s Fair was in Seattle. Laing began serving officially in 1968, as a bus boy in the banquet room for $1.25 an hour. He remembers selling Lucky for 55 cents a bottle on his first shift and he was always quite happy to go about his job with a lit candle on his head. Yes, a fire on his head.
“They weren’t real thick candles, so I’d need about three a night. People will (still) come in and say: ‘Is this the place where the guy wears a candle?’
“Sorta breaks me up like: ‘Yeah, this is it, but I don’t have one anymore – (it was just) a couple of years in the late-70s.”
He watched a bra left as collateral for an $11 tab in ‘89, turn into a beloved exhibitionist trend and a man named Harris from Terrace affix the first dollar bill to the wall, back when dollar bills were actually in circulation. The man’s been witness to the evolution of music delivery through the country music he dials up, from records in ‘72, to eight tracks until ‘77 when someone stole them, to cassettes until 2002, when digital tunes took over.
All the while, Laing’s taken requests – but he doesn’t play them, he says.
“For most people, bartending’s a job between jobs, but I never had a job before this and I’ll probably never have one after this. ... Most bartenders are a lot better than me, but my thing is that I have the gift of gab. The trick to bartending isn’t selling one drink, it’s selling two drinks.”
An error Laing has seen his fellow drink slingers commit over the years: they don’t talk to people who aren’t their friends. It’s wise advice, but almost unfair in that Laing has made so many connections through the job over the years. Forming friendships with customers, many of whom are scattered around the world, was inevitable. They remember to pop by Big Bad’s for a drink from Laing on each Victoria visit.
“It’s like I’m sort of out with everybody,” he says, “but I’m not drinking.”
That will all change soon enough. Laing has big plans slated for July – the month when Big Bad John’s turns 53 and he hits 65.
“I’m going to finish my shift and have a drink,” he says. “A Kokanee.”
And as for life after retirement: “Things will be OK. I guess I could still be there on Saturdays.”

Kaiser Chiefs riot turns to war

Kaiser Chiefs riot turns to war

The Kaiser Chiefs play in Victoria April 20. - Danny North
The Kaiser Chiefs play in Victoria April 20.
— Image Credit: Danny North
Expect the Kaiser Chiefs to mess up the lyrics and play the wrong chords as they hit the stage in Victoria this month.
“It’s our first gig in about two months, so we might get some of the chords wrong – Ricky will definitely get some of the words wrong,” jokes bassist Simon Rix with a laugh.
Rix, frontman Ricky Wilson, drummer Vijay Mistry, guitarist Andrew White and keyboardist Nick Baines are all currently on hiatus after a tour of South America and the UK where they continue to fill arenas and stadiums.
“We did two weeks in South America supporting the Foo Fighters in various stadiums, which was great and two weeks in England doing arenas which was really, really nice as well, it was really, really good month,” says Rix, on the phone from his London home.
The indie rock band has been around for more than a decade and haven’t let setbacks, such as the 2012 departure of founding member drummer Nick Hodgson slow them down.
“In our career we made this album under the (band) name Parva, which didn’t even get released and then the next album we made was Employment which is still our biggest selling album,” says Rix. “I think part of the reason we were totally going for it and you can feel the energy on Employment is because of the disappointment and things that happened in the previous band. All of that pent up aggression and excitement of all that stuff, it came out in Employment and we were just absolutely going for it.”
Employment earned critical and commercial success with more than three million copies sold. It won the band numerous awards, and also unleashed I Predict A Riot, the group’s most well-known song, along with Ruby, from their second release Yours Truly, Angry Mob.
“I think every record we made is the right one at that time, even the Parva one, we didn’t really know what we were doing,” says Rix. “I mean, we got signed and we were quite lazy and didn’t really do anything. I think it taught us a lot of lessons. Just when you get a record deal that doesn’t mean you’ve made it, in fact it means the hard work’s just starting. By the time we got to Employment, we knew all that so we worked very hard.”
Fast forward a few years and four records, and the Kaiser Chiefs are on the road touring their 2014 release Education, Education, Education & War.
“I think it’s an album that’s really coherent and makes sense … all the songs fit together. We recorded it in Atlanta with a producer called Ben H. Allen III. We did it in one block of time and it was quite an old-school way of doing it,” Rix says.
After Hodgeson’s departure, band members rallied to write and record Education, Education, Education & War with a new passion.
“I’m having more fun than I’ve ever had,” says Rix. “In the beginning, it’s like a roller coaster, you don’t know what the fuck’s going on, you’re just sort of on a ride and you don’t know where it’s going. Especially our first album, a lot of bands never get past that stage and then we got a bit complacent and a bit lazy and now … I always think Nick leaving did us a favour, because it was a wake up call. We could lose this thing we love doing. It could disappear from underneath us and we could have quit. I think we could have just called it a day when Nick left, but I think the other four of us who are left – and now Vijay who joined – we love doing it and we want to keep doing it as long as possible, we love making music. I think we’re even better than we’ve ever been.”  Hear tracks from their latest album at kaiserchiefs.com.

Langham Court Theatre puts the fun in dysfunctional

ARTS & EVENTS

Langham Court Theatre puts the fun in dysfunctional

Actor Susie Mullen portrays Violet in the Langham Court Theatre presentation of August: Osage County April 23 to May 9.  - Don Denton photo
Actor Susie Mullen portrays Violet in the Langham Court Theatre presentation of August: Osage County April 23 to May 9. 
— Image Credit: Don Denton Photo
Directors Keith Digby and Cynthia Pronick will take Langham Court Theatre audiences to a hot August in Oklahoma this month.
From April 23 to May 9, they present August: Osage County, a tragicomedy written by Tracy Letts.
The couple is no stranger to Langham audiences, this being the eighth play they’ve directed for the company.
“We started a long time ago,” says Digby, former artistic director of Victoria’s Bastion Theatre, and a screenwriter with a background in professional theatre. “Last year we took on Rozencrantz and Guildenstern Are Dead and this year we’re taking on another hugely monstrous play.”August: Osage County includes a cast of 13. “It’s on the large side,” says Digby. “Langham Court Theatre tends to cast between four and five and upwards. Being community theatre they’re very concerned with giving lots of people the opportunity to tread the boards, so they tend not to do tiny – although 13 is getting up near Shakespeare territory.”
The Pulitzer Prize and Tony Award-winning play exposes a large family in a spectacularly entertaining meltdown. A missing father, a pill-popping matriarch, three squabbling sisters and relentless revelations of indiscretion launch the audience into a riveting theatre experience.
“The play was written in 2007 and first produced in Chicago,” says Pronick, who’s been in theatre “since God was a boy.”
“It’s autobiographical in a way. The matriarch and patriarch of the Weston family represent Letts’ grandfather and grandmother.”
The play deals with a severely dysfunctional family during a stressful time, but also includes some laughter.
“The movie, you have to deal with as a separate art object,” says Digby. “People who have seen it as an enjoyable drama will be delighted to find out in the play, there’s humour – it’s our job to play both masks of comedy and tragedy and find a variety of tones in the subject matter.”
Pronick says they have a “blessed” cast. “It’s one of those shows. The scary thing is 80 per cent of the job is casting and you have to get it right. … Fortunately we have a tremendous cast.”
The cast includes returning Langham Theatre members Nick Stull and Susie Mullen as Beverly and Violet Weston and newcomers, including UVic theatre student Keisha Palm as housekeeper Johnna Monevata. “She’s a housekeeper hired by Beverly before he disappears, because they’ve let the house and their eating, taking care of themselves, slide away. It’s an interesting role, she’s the silent witness to the mayhem,” says Pronick.
The large cast began rehearsals in February with table reads and character study.
“What people will see on stage eventually, is people in a family, not characters in a play,” Digby adds.
It is the couple’s challenge to achieve that. “We’re fortunate there are a lot of really talented people who choose to have a life, so they live in Victoria,” he says.

August: Osage County